Letters from here

Cartas Daqui is a channel that tells stories about Brazil through a lens full of affection and memory, exploring our customs, details, and habits. This channel is a warm letter filled with beautiful accounts by journalist Francisco Kilgore.

The visual identity was built on the concept of local stamps—the kind we stick onto postcards to send to friends, sharing our experiences of a city or country we are discovering at that moment. Stamps featuring Brazilian objects and elements prevail throughout the visual language, accumulating more and more stories over time.

The brand’s typography features Ana Banana, created by designer Julia Lago from Plau, paired with snippets of Brazilian songs set in the Brasileiro font by Crystian Cruz.

Eunice

Eunice is an illustrated platform created to expand access to information about the climate crisis.

We illustrated an interactive map of a city that features key moments in the history of the global climate, divided into five “neighborhoods”: past, present, future, economy, and politics. The map invites users to explore topics such as the history of global warming, climate conventions, denialism, civil society, and more.

We created 120 illustrations to tell this story across 14 chapters, using a playful and ironic tone throughout the platform. In addition to the digital experience, the project was also published in print as a booklet titled An Illustrated Guide to the Climate Crisis, which is being distributed to leaders, environmentalists, and influencers ahead of COP30.

The climate map and the 120 illustrations were designed for the visual universe of the Eunice platform and its print version, the illustrated guide, which is being distributed in kits for COP30. The illustrated map serves as the entry point to the platform, as if the user were stepping into this city to navigate through different points in climate history.

The illustrations were created digitally and inspired by political cartoons, using a critical and humorous tone to interpret a subject that is often overwhelming and paralyzing—like the climate crisis. Alongside the illustrations, the platform also features videos, infographics, audio content, and interactive tools.

The project is named in honor of American scientist Eunice Foote, one of the discoverers of the greenhouse effect, whose contribution was erased from history simply because she was a woman.

The goal of the illustrations on the platform is to raise awareness and make the history and key data of the climate crisis clear and accessible. The idea was to use illustration to transform dense and complex content into something light, engaging, and easy to understand—reaching a wide audience: school teachers, environmental specialists, policymakers, and curious minds who want to learn more.

Eunice was conceived as a concrete contribution to the public climate debate in 2025, the year Brazil will host COP30. The platform was created to make the climate crisis easier to understand for the general public, and it will remain alive and updated over time—helping to strengthen the sense of belonging and connection to the future of the planet.

Credits: 
Ilustrations: Selográfico
Visual Identity: Selográfico e Saúba
Climate Map: Selográfico
Illustrated Guide: Selográfico
Design Lead: Thiago Cruz
User Experience: Bruna Cerasi
User Interface: Natália Soueid
Infographics: Mário Kanno
UX Writing: Observatório do Clima  
Development: Diego Ramalho

Guia ilustrado sobre a crise climática

Fio da Meada

Visual Identity of the Fio da Meada podcast, featuring interviews with Branca Vianna. Every Monday, Rádio Novelo presents an episode of these interviews to promote reflection and debate on various topics of our reality. The podcast has hosted personalities such as Eduardo Galindo, Nina da Hora, Paola Carosella, Cecília Olliveira, Patrícia Campos Mello, Vanessa Cavalieri, Felipe Neto, Lígia Gonçalves Diniz, Luiza Erundina, Joana Guimarães, Ana Moser, and others.

For the graphic design, we highlighted speech, debate, and content as the protagonists of this identity. The speech bubbles represent the people and their opinions orbiting around Branca and the movement of this thread. Various graphic experiments with paper were conducted to create this visual narrative until we had the idea to cut speech bubbles to resemble faces of people, and underneath, we inserted old newspapers referring to their ideas. The typography of Fio da Meada was also initially made of paper, emphasizing the fluid, wavy characteristic of movement to follow the threads. We tested different color palettes and decided to go with a more vibrant combination of neon, blues, and pinks. From these colors, we developed the combinations for the posts introducing the interviewees.

Graphic study of the balloon cutouts, letters and wires in the composition

Podcast color palette study

Nem Só de Pão

Visual identity of podcast “Nem Só de Pão” by Rádio Novelo and Audible. The podcast tells the story of chef Paola Carosella and her encounter with author M.F.K. Fischer through the book How to Cook a Wolf and how it changed her relationship with cooking. The creative process involved some manual graphic experiments using an old recipe book, photos of Paola’s family, and paper cutouts of elements from her life. This is a story about affection, memory, and family, so it made sense to incorporate these elements to convey the emotion so deeply embedded in the podcast.

Art is good

Game with 24 cards with curiosities and inventions for children. The game was one of the activities created for the exhibition Arte é bom, at the Museu da Imagem e do Som de São Paulo, from October 2022 to January 2023. The color palette was the same as the exhibition’s identity and the illustrations followed misaligned lines , as if they were off record, just like the dreams and reflections of this exhibition universe. The Arte é Bom exhibition presented works by Hélio Oiticica and Lygia Clark, with installations, immersion, videos and objects. In it, the proposal is for visitors to ‘experience’ art not only using their vision, but also all the other senses. The exhibition was curated by Daniela Thomas and Têra Queiroz. Other artists taking part in the exhibition are Arnaldo Antunes, Coletivo Ali-Leste and Guto Lacaz.

National Math Festival

The National Math Festival was inspired by the American National Math Festival, which takes place in Washington every two years.

The first edition of the Festival was part of the Biennium of Mathematics 2017-2018, a federal law instituted for the promotion and development of education in the country. During this period, important events were held in Brazil such as the International Mathematical Olympiad – IMO 2017, and the renowned International Mathematic Congress – ICM 2018.

It was two years of events and actions that put Mathematics, Science and Technology at the center of communication – contributing to the country’s growth and human development.

Held between April 27 and 30, 2017, the first edition of the Mathematics Festival took place in the city of Rio de Janeiro and was held in three locations simultaneously. With almost 18,000 visitors, the event brought a diverse audience, from high school and elementary students to teachers, children, parents and grandparents.

Inspired on the visual identity developed in 2017, I worked on a re-reading of the brand for the 2021 edition, the website’s graphic design, publicity posts, presentations and various materials. I sought to explore the color palette as a guide, great titles and a welcoming visual identity for all audiences.

National Mathematics Festival 2021 brand
Site 2021 edition of the National Mathematics Festival
Each page of the site has a predominant palette color

OBMEP Portal

I was responsible for the visual proposal of the OBMEP Portal, a virtual space for elementary and high school students to access video classes content. The idea was to visually refer to a house formed by these three portals and, later on, the Portuguese portal will enter. Each one predominates a color of the portal’s brand, which is a paper divided into four parts and opens up a universe of elements that refer to the themes of each one.

OBMEP Portal Homepage